Lloyd Kaufman

DANGER: THIS REVIEW CONTAINS HAZARDOUS CHEMICALS!

NEW BRUNSWICK, N.J – A musical version of Troma’s classic cult film The Toxic Avenger made it’s debut at the George Street Playhouse on Friday night October 10th 2008, and The Sexy Armpit crashed the premiere party. OK, so we didn’t crash, they actually let us come. I’ve never seen a play on the George Street stage, but as I crossed the street and saw flood lights and a huge Toxie billboard, I knew they were providing a fitting reception for Troma’s first son Toxie. My imagination was sparked before I even made my way into the building. Instead of a red carpet, a black carpet covered the ground and stairs leading up to the entrance. The carpet was splattered with bright green “sludge” and boot prints as if Toxie walked into the playhouse just before I did. It’s the cool little details that impress me.

After having a wacky conversation with creator and director of Troma films, Lloyd Kaufman, my colleague Big Sal (formerly of ECW) and I got our tickets ripped, sat our asses down, and then just let the anticipation and excitement fester until showtime. Apprehension came over me as I worried how a musical version of the cult classic The Toxic Avenger would turn out. Was there a need for a Toxic Avenger musical? Hell yes! Toxic Avenger is a well known character but mostly with fan boys and the cult film obsessed folks. Toxie is finally getting his due.

“This is disturbing…”
“This is disturbing…”
“This is disturbing…”

“This is disturbing,” an older woman sitting behind me whispered at least four times. She felt the need to announce her declaration to the people on her left and right. The play was only a few minutes underway and I felt like showing her what was disturbing! I suppose she had no clue what kind of images were in store for her as the tale of Toxie unfolded. Was she at all familiar with the first superhero from New Jersey? Would she be ev en more appalled when she realized that people would be maimed and beaten with their own limbs on stage? Would she be aghast at the blind jokes? Had she ever lived a moment of her stuffy life as an outcast? Could she related to Melvin Ferd the 3rd’s feelings of rejection? I would soon find out. Although, I can bet that this minuscule piece of glowing, radioactive pop culture has no place in her hoity-toity lifestyle. Toxie was made for us, not them!

The George Street Playhouse, thanks to it’s stadium style seating, enables everyone in the house to enjoy an unobstructed view of the stage. The set, designed by Beowulf Boritt, was adorned with vats of fuming toxic chemicals and an old beat up turnpike sign. The sign warned the audience they were no longer in New Brunswick, but Exit 13, Tromaville. The set atmosphere made me feel like I was in a comic book and it was the perfect combination of gross and eerie. Thankfully the show did not rely on over the top special effects, bu t there were plenty of sight gags, costume changes, and a revolving set piece in the middle of the stage that helped suspend our disbelief. My attention was fixed on the infinitely talented actors who dazzled the stage. The full band was ready to rock as the actors seized the spotlight.

A guy coughs from the awful fumes rising from the NJ turnpike while a nun prays “Who will save New Jersey?” From the looks of it, we actually do need a savior! The once beautiful Tromaville is being polluted by New York City and the corrupt mayor is to blame. Meanwhile the geeky Melvin Ferd the 3rd is in love with a cute blonde and blind librarian named Sara. Melvin stumbles upon the Mayor’s plans that could further ruin the environment and the Mayor’s career if they were released. The Mayor instructs her thugs to “get the geek,” but it backfires after they drop him into a vat of toxic chemicals. Melvin emerges deformed and oozing with toxic neon green sludge. Makes you want to think twice a bout moving to Jersey, huh? Hence, New Jersey’s first superhero is born, The Toxic Avenger! Toxie plans on dethroning the corrupt Mayor and eliminating pollution from the Garden State. Minor details of the original film were altered in order to modernize the story. Although, If you’re a hardcore Toxie fan, don’t worry you won’t be disappointed! Live theater is usually the perfect venue to see some stellar performances but on this night, there was an air of magic. It was obvious that the players were enthusiastic about there roles and there were no “I can’t believe I’m doing this” attitudes.

Deformed and doused in sludge, was Nick Cordero as he bravely took on the main role of the geeky Melvin Ferd the Third and the legendary superhuman Toxic Avenger. The Mayor of Tromaville proclaims him a terrorist, even though he’s trying to rid New Jersey of it’s toxic waste. Cordero’s performance as Toxie at times recalled the despondence of the Phantom in Phantom of the Opera as well as the zealous and fiery performance of Sebastian Bach several years ago in Broadway’s Jekyll & Hyde. The operatic rock songs flourished thanks to Cordero’s rousing, dynamic voice. Toxie even made his way into the audience during “Everybody Dies.” I thought the lady behind me would have a coronary.

Nancy Opel’s (Urinetown) performance is truly dazzling as she takes on double duty playing Melvin’s mother as well as the Mayor of Tromaville. As Melvin’s mother she’s noticeably disgusted at how he can never get anything right. Even when her son becomes a toxic monster she wonders “Could you at least put your left eyeball where it’s supposed to be?” It was apparent that Opel sunk her teeth into this role especially during a fun and frantic scene where Toxie’s mom and the Mayor have a run in (It‘s impossible!). It’s a scene right out of a Three’s Company episode. There were plenty of winks at the audience like the moment where the Mayor’s searching for Melvin and claims “I’ll find him, I know his mother.” Watch out for Opel and Demond Green’s steamy performance of “Evil is Hot” It was so freakin’ hot!

Certain actors are born performers while others hone their skills, and chip away in a never-ending attempt to be great. Audra Blaser (Bandidas) is a born performer. Her portrayal of the innocent, blind librarian Sara, love interest of Toxie, proved to be a highlight of the play. How can that snooty lady behind me get offended at blind jokes when such an adorable, and refreshing actress is the butt of them? I was surprised by Blaser’s knack for comedy which obviously didn’t pass by the casting director’s radar either. Not only is Sara funny but also compassionate as she wonders why Toxie isn‘t mauling her: “If you’re gay, we can still be best friends and watch American Idol together.” I’m glad the casting folks stayed true to the original characters. Blaser showed no signs of worry, although she had some pretty big shoes to fill since the role of Sara previously belonged to some of the quirkiest, and offbeat actresses including Andree Maranda, Phoebe Legere, and Heidi Sjursen. Th e dreamy Blase was joined by Demond Green and David Josefsberg during the song “My Big French Boyfriend” which was possibly the funniest moment in entire the show.

The sentence “As black dude and white dude, Demond Green and David Josefsberg are quite versatile actors” holds the record for BIGGEST understatement of all time. I don’t think I can count how many different characters these two guys appeared as. Whether they were guys, girls, thugs, Springsteen wannabes, or hairdressers, they were thoroughly entertaining and proved to be an immense force of comic relief.

Having two famous Jersey guys on the writing staff didn’t hurt a bit. Joe DiPietro (I Love You, You’re Perfect, Now Change) wrote the book and lyrics while David Bryan (keyboardist of Bon Jovi) wrote music and lyrics to this rocking musical. The ingenious songs proved to be the productions’ throbbing, slimy nucleus. You’ll only need to experience the show once and you’ll realize they’re just as me morable and catchy as songs from the soundtracks of The Rocky Horror Picture Show, and Little Shop of Horrors. I want the songs on my iPod already! I’ve probably been to almost 50 live theater performances in my life and the minority of them featured songs that I would actually think of listening to elsewhere. This exuberant soundtrack has joined the minority!

Toxic Avenger the Musical was directed by Tony Award winning director John Rando (Urinetown). Props (no pun intended) to another Jersey native John Dods for creating superb special effects and prosthetics. Dods has worked on some of my favorite films and TV shows including Monsters ‘88-‘91, Ghostbusters II, and Black Roses!

The spirit of Lloyd Kaufman’s film making style was ever present. Judging by this show, you don’t need a cast of hundreds to put on a suc cessful and entertaining production. Perhaps other productions can take a lesson from The Toxic Avenger (or they should read Lloyd Kauffman’s book All I Need to Know About Filmmaking I Learned from the Toxic Avenger). In this case, improvising is the catalyst for some of the musical’s best moments. For the true Toxie fans, you’ll see nods to the original series like when Toxie slam dunks some thugs severed head. In another signature Toxie move, he pulls open his pants to check out how the size of his manhood mushroomed! I’m sure Sara will be pleased!

The Toxic Avenger musical completely squashed my apprehensions with it’s outlandish fun. In classic New Jersey fashion, the audience gave a raucous standing ovation while clapping and rocking out. Expect your cheeks to hurt from laughing and your eyes to be gl ued to the stage. At the end of the show, for the first time in my life I wanted to be doused in some of that hazardous neon green ooze emitting from the marshes of Exit 13. Oh, and if you’re at all like that woman sitting behind me, then stay home and watch Masterpiece Theater or I may toss your big old pretentious ass into a bubbling vat of toxic sludge!

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